Founded in 1928, the CAA is both traditional and profoundly innovative.

Got a chance to interview Vancouver's arts & culture champion and my old boss at Emly Carr Sir Ron Burnett on the topic of Creative Leadership #FuelVan #thnkVan - with Ron Burnett at Vancouver Playhouse Theatre Company.

To think that we are a university of art and design! And, in being this unique and specialized place  we are a rarity.

Swiss artist and photographer Fabian Oefner is on a mission to make eye-catching art from everyday science.

Yesterday, a historic announcement! The BC government will be contributing 113 million dollars to the construction of a new campus for Emily Carr.

Over the course of a year, I receive many proposals from consultants to talk to me about the services they have and how my organization will benefit from using their knowledge

Many academic colleagues may be unaware but Vancouver, Canada, has just played host (May 29-June 3) to the largest gathering of higher education practitioners in the world,

I recently had the privilege of talking to a group of parents about the culture of schools and the education that their children were receiving during what is clearly a transitional phase in the history of education.

Throughout this series, I have been focusing on the learner and the learning experience and trying to reconcile the difficult environment . . .

In Europe, the Bologna process has led to furious discussions about the purpose of universities largely because Bologna . . .

Graduations are always auspicious occasions, special moments in time for you, -- students of Emily Carr University, and for us, faculty, staff and administrators — special because this event marks the both the beginning and the end of an important period in your lives and in ours.

I have chosen to pursue a Masters of Applied Arts degree at the Emily Carr Institute (ECI) in order to investigate the emergent roles of artists and designers responding to the challenge of sustainable development and interdisciplinarity.

Recent artistic practices employing relational aesthetics have re-legitimized socially driven and performative artistic works.

To what extent does the physical self of the artist affect the production of art? Many artists create from memory, imagination or research, but what would their art look like if it were created from a purely corporeal charge?

When the average viewer thinks of Indo-Canadian/American films, the image of Bollywood comes to mind.

As we play we learn. The goal of my project is to provide new immigrants with the best advances in technology and education from the very beginning of their integration into the North American culture.

In a time when we are increasingly reliant on the internet and virtual technologies there is a greater need for objects that have a heightened physical sensibility and act as markers of our memories and personal experience.

“Most people believe that it is education that will save us. But this bland, sweeping, and unexamined assertion reduces us into continuing to uncritically support and tinker with the current story of schooling . . .”